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Billy Rose's Jumbo (Dir. Charles Walters, 1962): Pop and Kitty Wonder are the owners of the Wonder Circus and because of Pop's addiction to gambling they are constantly in debt and the creditors are very close to foreclosing on them. Their main attraction is Jumbo, the elephant and it seems that their competitor, John Noble wants Jumbo and is luring away all of their acts leaving them with virtually nothing. Then all of a sudden a mysterious man named Sam Rawlins joins them as a wire walker and Kitty is taken with him, what they don't know is that he's Noble's son.
The Glass Bottom Boat (Dir. Frank Tashlin, 1966):
Jennifer Nelson and Bruce Templeton meet when Bruce reels in her mermaid suit leaving Jennifer bottomless in the waters of Catalina Island. She later discovers that Bruce is the big boss at her work (a research lab). Bruce hires Jennifer to be his biographer only to try and win her affections. There's a problem Bruce's friend General Wallace Bleeker believes she's a Russian spy and has her surveillanced. But when Jennifer catches on...Watch out!
Love Me Or Leave Me (Dir. Charles Vidor, 1955):
Story of torch singer Ruth Etting's rise from 1920s taxi dancer to movie star, simultaneously aided and frustrated by Chicago mobster Marty Sydney's headstrong ways and pressure tactics.
Please Don't Eat The Daisies (Dir. Charles Walters, 1960):
Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn.
Young Man With A Horn (Dir. Michael Curtiz, 1950):
Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life, Rick becomes a star trumpeter, but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble.
Calamity Jane (Dir. David Butler, 1953):
Deadwood, Dakota Territory, is largely the abode of men, where Indian scout Calamity Jane is as hard-riding, boastful, and handy with a gun as any; quite an overpowering personality. But the army lieutenant she favors doesn't really appreciate her finer qualities. One of Jane's boasts brings her to Chicago to recruit an actress for the Golden Garter stage. Arrived, the lady in question appears (at first) to be a more feminine rival for the favors of Jane's male friends...including her friendly enemy Wild Bill Hickock.
Notera: Alla filmer har engelskt tal och engelsk text.
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